Here, men have sex with other men whether they are gay, married, or just teenagers asking curious questions. And most certainly never about any taboos of MM pairings. Sex, as it happens here, is about the joyful executions of mandates of bodily desire, and not about the emotional or moral ramifications of cross-generational or near-incestuous pairings. Uncle John’s (and indeed the entire Animan / Drippin’ Dads) universe is one that is only improved and enhanced by sexual congress, and no talk about what it means or where we go from here is ever encountered. But I honestly can’t last that long before I’m squirting, so I don’t know what the actual end of the film is. There is a second act too (rather than an alternate unrelated story, as in some of the Drippin’ Dads titles), wherein everyone goes on a naked picnic and slurps and sucks and fucks and smiles and laughs in the open air, despite passers by and cars driving on the highway. It’s the rare kind of penetrative sex scenario that makes me want to cum immediately and I’ve been masturbating to this scene on and off the whole time I’ve been writing this. They get naked and joyfully stimulate one another, priming and sharing in Uncle John’s special skillset, until John declares he needs to “get fucked right now!” One nephew gleefully plows his uncle’s massive furry butt, while the other masturbates his own dong, and both of them nurse tenderly on John’s oversized nips. Uncle John returns home to find his nephews rummaging through his nightstand with gleeful boners, and – in definingly shame-free moment for the Animan universe – invites them to play the way men in this world play. But its treatment here and existence in the broader Animan world is natural-seeming and embraced with a kind of can-I-see-it? excitement. In any other story, this would be a shocking and fetish-y development, sure to be the focus of the entire narrative. In it, the nephews of the titular Uncle John are left alone in his cabin during a summer visit, and discover their uncle to be a pornstar with an ability to squirt milk from his oversized nipples.
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What is particularly glorious about Animan (and you will have heard me discuss this idea previously), is the nature of the engagements (nearly ALL of them in all the films) there is little to no discussion or grappling with homosexual identity, and men simply (and happily) surrender to their baser genital impulses.Īniman’s latest full-length release (full-length here is about 12-13 minutes, which is about twice as long as it takes me to bust, watching) is a fourth installment of the Drippin’ Dads Anthology, titled Big Uncle John.
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These dads (sometimes referred to as Animen on blogs and tumblr) inhabit a world that is not defined by sexual engagement, but which exists in readied anticipation of any chance its men get to show and share their penises.
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If you’re entirely unfamiliar (which seems unlikely, given the omnipresence of various Animen on tumblr and twitter and the internet at large over the last ~ten years), Animan is the nom de plume of the artist who writes, draws, and animates startlingly professional looking cartoons about penis-proud dads (and dad-adjacent archetypes like coaches, professors, and the like) who march around sharing their bodies with one another in a way that should challenge the worldview of even the most sex-positive thots populating instagram. I feel I should disclaim, right off the bat, that this going to be less of a proper “ review” of Drippin’ Dads 4, and more of an appeal to readers to love and support this artist and his incredible work, because my own love for him runs deep and long and hard. Everybody’s 18 and everything that happens is magical.